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Author Name    Malenfant, Nicole; Richard Ste-Marie

Title   Code of Ethics for Original Printmaking

Binding   Paperback

Book Condition   Very Good

Size   8vo 7.75 - 9.75'' tall

Publisher    Conseil québécois de l'estampe 2000

ISBN Number    2922018059 / 9782922018059

Seller ID   106587

Nice Firm Clean copy ! 83 + 16 + 83 pages. One way the book reads in English, turn it around and upside down and it reads in French.This booklet traces the evolution of the concept of the original print and provides models of agreement between artist, printer, and publisher. Includes a glossary, a bibliography (27 bibl. ref.), as well as information on printmaking techniques. Contents: The Issue of Accepting Prints as Works of Art. Printmaking and New Technology. Chapter I What is the Code of Ethics for Original Printrnaking? Chapter II Original Prints, Interpretive Prints and Reproductions. The Artist's Role (35). Defining Original Prints (36). Defining Interpretive Prints (37). Defining Reproductions (38). Chapter III The Edition . What is an Edition. Preliminary Definitions (44). Matrix and Printing Element (44). The Support (45). The Proof (45). The Edition: Modes and Identification . The Conventional Edition (46). The varied Edition (46). The Limited Edition (46). The Open Edition (46). Reprinting/Re-Editions (47). Hybrid Editions (47) Chapter IV Proofs . Definitions, Identification and Numbering Rule . Type of Proof (49). Title (49). Signature (49). Date (50). The Documentation Form (50). Numbering Proofs (51). Fractions (51). Whol Numbers (51). Double Numbering (52). Unnumbered Proofs (52). Printing Order (52). Defining Proofs . The State Proof (52). The Trial (54). Variants (54). Identical Proofs (58). The Bon a Tirer (55). Edition Proofs (56). Artist's Proofs (56). Printer's Proofs (56). Studio copies (57). Legal Deposit Proofs (57). Not for Trade (58). Specimen Proofs (58). The Cancellation Proof (58). ChapterV One of a Kind, Monotypes, Enhanced Proofs and Mixed-Media. Definitions and Identification (59). One of a Kind (59). Monorypes (60). Enhanced Proofs (60). Mixed Media (60). Chapter VI Printmaking Techniques. Relief Printing . Black Line Priming (62). White Line Priming (62). Background Priming (62). Relief Techniques (62). Wood Engraving (62). Woodcut (62). Linocut (63). Relief Priming Processes (63). Lithography. Creating an Image on a Lithography Stone or Plate (64). Drawing. Lithographic Pencils or Chalk (64). Lithographic Inks (64). ½Maniere Noire+ Techniques (64). Photolithography (64). Priming Lithographs (65). Offset Lithography (65). Intaglio Printmaking. Burin Engraving (66). Dry-Point Engraving (66). Roulette Engraving (66). Maniere Noire or Mezzotint (66). Etching (66). Aquatint (67). Soft Ground Etching (67) Sugar Lift (67). The Photogravure Process (68). Intaglio Printing (68). Colour Printing (68). Stanley William Hayter's Viscosity Method (69). Embossing (69). Collagraphy. Carborundum Priming (69). Serigraphy . Stencilling or Clichage (69). Negative Manual Stencilling (70). Positive Manual Stencilling (70). The Photomechanical Process (70). Autographic and Photographic Screens (71). Serigraph Priming (71). Overlaying and Juxtapositioning (72). Four-Colour Priming (72). Copigraphy . Digital Prints . Documentation Form for Original Prints . Summary Table for the Edition of Original Prints . Bibliography . The Loto-Quebec Collection . Plates .

Art::Art History Books on Books::Collecting Books

Price = 124.75 USD


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